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Essentially, by creating armies of drones, biological life has made itself irrelevant.Īs the game progresses, 9S and 2B eventually learn that their situation is not as different from the machines as they originally suspected. Only the weapons remain, and the weapons know little outside of combat. The war and its weapons have escalated to the point where intelligent biological life is extinct. Instead, rather than being a war story, this is a post-apocalypse story about a group of masterless anthropomorphized weapons trying to make sense of their orders to fight in a world where the act of war has surpassed its original reasons for existing.

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This also explains the peaceful machines-without their alien masters, those not connected to Adam and Eve’s network are free to live as they choose.Įssentially, Nier’s greatest trick is that its HG Wells alien invasion framework is a red herring. They’ve since been building a cloud-computing style network of machines, those under their control being hostile. According to Adam, due to the machines’ capability to exponentially escalate their growth, these two in particular having come far enough to be able to choose and take on human form, they felt it necessary to wipe out and take the place of their creators, seeing themselves as a superior race. They explain that because the aliens were, at least in their eyes, a static society, they deserved to die. Adam and Eve reveal that, like Skynet, the machines have become self-aware, and they have killed the alien invaders that created them. Here, 2B and 9S face the true hands behind the machines that have been attacking them, human-like machines named Adam and Eve, who due to their design inspiration, are functionally no different from the androids, as they both resemble humanity. In Nier: Automata, the alien invaders are dead, and their weapons have survived them. Like the androids, the machines themselves face a similar crisis. However, as they move on, they do eventually encounter hostile machines, and within the first couple hours of their mission, they find out why.

As they walk past them, 9S comments on how strange it is that the machines don’t attack on sight. As 2B and 9S’s story begins, they arrive on a relatively peaceful Earth, where large swaths of their machine enemies seem uninterested in them, almost as if they’ve joined the nearby deer and boars as part of some hybrid biological and mechanical ecology. This is not to say that the majority of the weapons are all immediately aware of this, however. In Nier: Automata, humanity is dead, and their weapons have survived them. Soon enough, however, the player learns the uncomfortable truth to this world.

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As the game begins, players follow android fighter 2B and android intel guy 9S as they seek to reclaim Earth from the machines, who, as their name implies, the androids believe to be incapable of thought or emotion. In this alien vs human conflict, both sides do not fight directly, but instead by using remote soldiers: highly-advanced, self-aware but small-in-number androids for the humans, and more rudimentary but numerically overwhelming machines for the invaders. The setup of humans fighting ghosts from the first Nier has been replaced with a more sci-fi angle of super robots and interstellar combat, but the wider themes of separation between ruling class and pawns that presented themselves in the climax of the first game remain present. And given the two games’ similar subject matter-cyborgs, autonomous soldiers and androids-it serves as a strong complement to the game’s powerful, subversive narrative ambitions. It’s less deep than the usual Platinum game, but bolstered by the customization and wider variety of tactics offered by the RPG and bullet hell framework. The eclectic hack-and-slash/bullet hell hybrid combat from the first game makes a return, though this time honed by Platinum’s master hand to create something like a lighter version of their excellent cyborg ninja game Metal Gear Rising. Platinum Games takes over from previous developer Cavia, and the story, though taking place in the same world, is removed enough from the first to stand on its own. The sequel to 2010’s Nier, itself a spin-off of the Dynasty-Warriors like Drakengard series, Nier: Automata updates the medieval setting of the first game to the distant future, this time taking place after an alien invasion has supposedly forced humanity to the moon, and following humanity’s supposed struggle to take back the Earth using android fighters. Nier: Automata is a sassy game, and it would not do it justice to talk about it without explaining how it plays with expectations. Warning: This review contains minor spoilers.